He Will Now Be Billed As “Academy Award Nominee Jonah Hill” On The Sitter 2 Poster

Jonah Hill now has more Oscar nominations than Michael Fassbender and the same number as Gary Oldman. Let that sink in for a minute…

…done? Ok. I promise to pay for the hole you just bashed in the wall with your head.

Anyway, today saw the release of the nominees for the 84th Academy Award ceremony, to be held February 26th, 2012 and hosted by Billy Crystal.

As always, there’s been a heck of a lotta screaming and moaning regarding the nominees, and while most of the whining is pointless (seriously, guys, as amazing as Drive is, there’s no way it had a shot at anything other than an outside chance at a Best Supporting Actor nomination for Albert Brooks), there are some legitimately perplexing choices/snubs this year. The list of Best Pic nominees shows either how safe Hollywood played it this year or how friendly the Academy wants to keep the show to general audiences. It’s almost as if the Academy is trying to counter-correct for awarding smaller, bleaker films (No Country for Old Men, The Hurt Locker) over the past few years.

The rest of the categories are just as predictable, with the only surprises coming in the form of a few “WTF’s?” in the acting arena. I have no idea what anyone saw in Hill’s Moneyball performance, but there he sits alongside heavyweights such as Nick Nolte, Christopher Plummer, Kenneth Branagh, and Max von “Coolest Swede Ever” Sydow. Seriously. Jonah Hill and Max von Sydow will be announced in the same breath for the same award. Let that sink in for a minute…

…done? Looks like I owe you for another hole.

I also have no idea what Melissa McCarthy is doing on this list as well. Look, she’s insanely funny in Bridesmaids. She really is. Sure her big set-piece revolves around squirting diarrhea into a sink, but so what? She brings the funny even without the poop jokes. But seriously – an OSCAR? I haven’t seen the Academy so desperate to prove they’re hip with the public since Johnny Depp was nominated for playing a silly alcoholic pirate in a movie based on a Disney ride. I can name three actresses off the top of my head that deserve that spot more than McCarthy – Carey Mulligan (Drive), Chloe Grace-Moretz (Hugo), and Charlotte Gainsbourg (Melancholia).

Speaking of Bridesmaids – I think it’s a fantastic movie, and Kristen Wiig wrote some solid character stuff. But seriously – an OSCAR? Best Original Screenplay? That’s simply ludicrous, not only because the screenplay is a few steps above serviceable, but because Bridesmaids has the feel of a film shaped mostly in post production, cut together from hours upon hours of top-notch comediannes doing top-notch work.

I could go on and on about the nominees, but I won’t. Complaining certainly won’t change anything, and I’ll watch the ceremony this year like I do every year, face-palming with the rest of the world. But still – I can’t remember a year where I’ve been less excited about the Academy Awards, and found the list of nominees to be just plain boring. The complete list of nominees for the 84th Academy Awards is below.

BEST PICTURE
“The Artist,” Thomas Langmann, producer
“The Descendants,” Jim Burke, Alexander Payne and Jim Taylor, producers
“Extremely Loud & Incredibly Close,” Scott Rudin, producer
“The Help,” Brunson Green, Chris Columbus and Michael Barnathan, producers
“Hugo,” Graham King and Martin Scorsese, producers
“Midnight in Paris,” Letty Aronson and Stephen Tenenbaum, producers
“Moneyball,” Michael De Luca, Rachael Horovitz and Brad Pitt, producers
“The Tree of Life,” Nominees to be determined
“War Horse,” Steven Spielberg and Kathleen Kennedy, producers

LEAD ACTOR
Demián Bichir, “A Better Life”
George Clooney, “The Descendants”
Jean Dujardin, “The Artist”
Gary Oldman, “Tinker Tailor Soldier Spy “
Brad Pitt, “Moneyball”

LEAD ACTRESS
Glenn Close, “Albert Nobbs”
Viola Davis, “The Help”
Rooney Mara, “The Girl with the Dragon Tattoo”
Meryl Streep, “The Iron Lady”
Michelle Williams, “My Week With Marilyn”

BEST DIRECTOR
Michel Hazanavicius, “The Artist”
Alexander Payne, “The Descendants”
Martin Scorsese, “Hugo”
Woody Allen, “Midnight in Paris”
Terrence Malick, “The Tree of Life”

SUPPORTING ACTOR
Kenneth Branagh, “My Week with Marilyn”
Jonah Hill, “Moneyball”
Nick Nolte, “Warrior”
Christopher Plummer, “Beginners”
Max von Sydow, “Extremely Loud & Incredibly Close”

SUPPORTING ACTRESS
Bérénice Bejo, “The Artist”
Jessica Chastain, “The Help”
Melissa McCarthy, “Bridesmaids”
Janet McTeer, “Albert Nobbs”
Octavia Spencer, “The Help”

WRITING (ADAPTED SCREENPLAY)
“The Descendants,” Alexander Payne and Nat Faxon & Jim Rash
“Hugo,” John Logan
“The Ides of March,” George Clooney & Grant Heslov and Beau Willimon
“Moneyball,” Steven Zaillian and Aaron Sorkin. Story by Stan Chervin
“Tinker Tailor Soldier Spy,” Screenplay by Bridget O’Connor & Peter Straughan

WRITING (ORIGINAL SCREENPLAY)
“The Artist,” Michel Hazanavicius
“Bridesmaids,” Annie Mumolo & Kristen Wiig
“Margin Call,” J.C. Chandor
“Midnight in Paris,” Woody Allen
“A Separation,” Asghar Farhadi

ANIMATED FEATURE FILM
“A Cat in Paris,” Alain Gagnol and Jean-Loup Felicioli
“Chico & Rita,” Fernando Trueba and Javier Mariscal
“Kung Fu Panda 2,” Jennifer Yuh Nelson
“Puss in Boots,” Chris Miller
“Rango,” Gore Verbinski

FOREIGN LANGUAGE FILM
“Bullhead,” Belgium
“Footnote,” Israel
“In Darkness,” Poland
“Monsieur Lazhar,” Canada
“A Separation,” Iran

DOCUMENTARY (FEATURE)
“Hell and Back Again,” Danfung Dennis and Mike Lerner
“If a Tree Falls: A Story of the Earth Liberation Front,” Marshall Curry and Sam Cullman
“Paradise Lost 3: Purgatory,” Joe Berlinger and Bruce Sinofsky
“Pina,” Wim Wenders and Gian-Piero Ringel
“Undefeated,” TJ Martin, Dan Lindsay and Richard Middlemas

DOCUMENTARY (SHORT SUBJECT)
“The Barber of Birmingham: Foot Soldier of the Civil Rights Movement,” Robin Fryday and Gail Dolgin
“God Is the Bigger Elvis,” Rebecca Cammisa and Julie Anderson
“Incident in New Baghdad,” James Spione
“Saving Face,” Daniel Junge and Sharmeen Obaid-Chinoy
“The Tsunami and the Cherry Blossom,” Lucy Walker and Kira Carstensen

SHORT FILM (ANIMATED)
“Dimanche/Sunday,” Patrick Doyon
“The Fantastic Flying Books of Mr. Morris Lessmore,” William Joyce and Brandon Oldenburg
“La Luna,” Enrico Casarosa
“A Morning Stroll,” Grant Orchard and Sue Goffe
“Wild Life,” Amanda Forbis and Wendy Tilby

SHORT FILM (LIVE ACTION)
“Pentecost,” Peter McDonald and Eimear O’Kane
“Raju,” Max Zähle and Stefan Gieren
“The Shore,” Terry George and Oorlagh George
“Time Freak,” Andrew Bowler and Gigi Causey
“Tuba Atlantic,” Hallvar Witzø

ART DIRECTION
“The Artist,” production design: Laurence Bennett; set decoration: Robert Gould
“Harry Potter and the Deathly Hallows Part 2,” production design: Stuart Craig; set decoration: Stephenie McMillan
“Hugo,” production design: Dante Ferretti; set decoration: Francesca Lo Schiavo
“Midnight in Paris,” production design: Anne Seibel; set decoration: Hélène Dubreuil
“War Horse,” production design: Rick Carter; set decoration: Lee Sandales

CINEMATOGRAPHY
Guillaume Schiffman, “The Artist”
Jeff Cronenweth, “The Girl with the Dragon Tattoo”
Robert Richardson, “Hugo”
Emmanuel Lubezki, “The Tree of Life”
Janusz Kaminski, “War Horse”

COSTUME DESIGN
Lisy Christl, “Anonymous”
Mark Bridges, “The Artist”
Sandy Powell, “Hugo”
Michael O’Connor, “Jane Eyre”
Arianne Phillips, “W.E”

FILM EDITING
“The Artist,” Anne-Sophie Bion and Michel Hazanavicius
“The Descendants,” Kevin Tent
“The Girl with the Dragon Tattoo,” Kirk Baxter and Angus Wall
“Hugo” Thelma Schoonmaker
“Moneyball,” Christopher Tellefsen

MAKEUP
“Albert Nobbs,” Martial Corneville, Lynn Johnston and Matthew W. Mungle
“Harry Potter and the Deathly Hallows Part 2,” Nick Dudman, Amanda Knight and Lisa Tomblin
“The Iron Lady,” Mark Coulier and J. Roy Helland

MUSIC (ORIGINAL SCORE)
“The Adventures of Tintin,” John Williams
“The Artist,” Ludovic Bource
“Hugo,” Howard Shore
“Tinker Tailor Soldier Spy,” Alberto Iglesias
“War Horse” John Williams

MUSIC (ORIGINAL SONG)
“Man or Muppet” from “The Muppets,” music and lyrics by Bret McKenzie
“Real in Rio,” from “Rio,” music by Sergio Mendes and Carlinhos Brown; lyrics by Siedah Garrett

SOUND EDITING
“Drive,” Lon Bender and Victor Ray Ennis
“The Girl with the Dragon Tattoo,” Ren Klyce
“Hugo,” Philip Stockton and Eugene Gearty
“Transformers: Dark of the Moon,” Ethan Van der Ryn and Erik Aadahl
“War Horse,” Richard Hymns and Gary Rydstrom

SOUND MIXING
“The Girl with the Dragon Tattoo,” David Parker, Michael Semanick, Ren Klyce and Bo Persson
“Hugo,” Tom Fleischman and John Midgley
“Moneyball,” Deb Adair, Ron Bochar, Dave Giammarco and Ed Novick
“Transformers: Dark of the Moon,” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Peter J. Devlin
“War Horse,” Gary Rydstrom, Andy Nelson, Tom Johnson and Stuart Wilson

VISUAL EFFECTS
“Harry Potter and the Deathly Hallows Part 2″ Tim Burke, David Vickery, Greg Butler and John Richardson
“Hugo,” Rob Legato, Joss Williams, Ben Grossman and Alex Henning
“Real Steel,” Erik Nash, John Rosengrant, Dan Taylor and Swen Gillberg
“Rise of the Planet of the Apes,” Joe Letteri, Dan Lemmon, R. Christopher White and Daniel Barrett
“Transformers: Dark of the Moon,” Scott Farrar, Scott Benza, Matthew Butler and John Frazier

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About pezzula
Full time state worker. Part time film critic. Part-part time actor.

One Response to He Will Now Be Billed As “Academy Award Nominee Jonah Hill” On The Sitter 2 Poster

  1. Pingback: A Short Reply to My Brother on the Oscars « Written Tales for Your Eyes

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